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DTSTART;TZID=America/New_York:20251111T193000
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DTSTAMP:20260514T012935
CREATED:20250722T165031Z
LAST-MODIFIED:20250722T165353Z
UID:5518-1762889400-1762894800@ciompi.org
SUMMARY:Cultural Crossroads: Dvořák in America
DESCRIPTION:Crossroads continues at Clemson University. This live concert experience explores the Black and Indigenous influences on Dvořák during his time in America. The program weaves original Native American melodies and moving African American Spirituals along with Dvořák’s most beloved chamber music. Short videos and imagery add to this powerful multimedia experience. Cultural Crossroads: Dvořák in America with its stellar and diverse cast of musicians is a catalyst for audience engagement as it entertains\, educates\, and inspires – drawn from the curiosity of a Czech composer a century ago. \nThe Program\nAntonín Dvořák (1841-1904): Finale from String Quartet No. 12\nR. Carlos Nakai (1946-): Butterflies Dancing\nTraditional African American Spiritual: Swing Low\, Sweet Chariot\nAntonín Dvořák (1841-1904): Allegro non tanto from String Quintet No. 3\nTraditional African American Spiritual: My Lord\, What a Morning\nR. Carlos Nakai (1946-): Clan of the Mists\nAntonín Dvořák (1841-1904): Allegro vivo—Un poco meno mosso from String Quintet No. 3\nTraditional African American Spirituals: Go Down Moses; By and By\nR. Carlos Nakai (1946-): Honoring Song\nJohn Newton (1725–1807): Amazing Grace\nAntonín Dvořák (1841-1904): Finale. Allegro giusto from String Quintet No. 3\nGoing Home \n \nThe Artists\nR. Carlos Nakai (Navajo-Ute) is the world’s premier performer of the Native American flute. He has appeared as a soloist and educator worldwide\, released more than 40 albums\, and been nominated for several Grammy awards. He also founded the R. Carlos Nakai Quartet. A Navy veteran\, Nakai earned an MA in American Indian Studies from the University of Arizona\, authored The Art of Native American Flute with composer James DeMars\, and has received a multitude of awards and honors for his lifetime achievements. \nWill Clipman began playing drums and piano at age three and has since mastered a pan-global palette of percussion instruments. A seven-time Grammy nominee and winner of several US\, Canadian\, and Indigenous awards\, he has recorded over 70 albums\, and collaborated with many internationally acclaimed artists and ensembles\, most notably through his 30-year association with Native American flutist R. Carlos Nakai. Clipman is a widely published\, prize-winning poet\, as well as an accomplished mask-maker and storyteller. In his 40-year career as an arts educator\, he has given hundreds of presentations\, impacting a range of communities from traditional school settings to hospitals\, prisons\, and parks. \nKenneth Kellogg is a Washington\, DC native and alumnus of the city’s Duke Ellington School of the Performing and Visual Arts. Active in both the US and Europe\, he has worked with the San Francisco Opera\, LA Opera\, Washington National Opera\, Opera de Oviedo\, and Opera de Lausanne\, among others. A sample of his many operatic roles includes the title role in Mozart’s Don Giovanni\, as well as Leporello and Il Commendatore; Mephistopheles in Gounod’s Faust; and Don Alfonso in Mozart’s Cosi fan tutte. Of note\, Tazewell Thompson’s opera Blue was written for him. Kellogg holds degrees from University of Michigan and Ohio University. \nPamela Freund-Striplen served as artistic director and violist of San Francisco’s Gold Coast Chamber Players for 35 years. She has also performed with members of the St. Lawrence\, Alexander\, Escher\, and Verona String Quartets\, New European Strings\, and Amati Ensemble; with the San Diego Symphony\, San Francisco Opera Orchestra\, and San Francisco Symphony; and as principal violist with the San Diego Opera and Western Opera Theater. Motivated by the social impact of her special projects like Cultural Crossroads: Dvořák in America\, she now focuses on presenting these programs to national and international audiences. In this performance\, Freund-Striplen serves as violist\, curator\, and narrator.
URL:https://ciompi.org/performance/cultural-crossroads-dvorak-in-america-3/
LOCATION:Brooks Theatre\, 141 Jersey Lane\, Clemson University\, Clemson\, SC\, 29624\, United States
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/06/CulturalCrossRoads2a-1280x720-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T160000
DTEND;TZID=America/New_York:20251109T183000
DTSTAMP:20260514T012935
CREATED:20250722T164324Z
LAST-MODIFIED:20250722T164324Z
UID:5513-1762704000-1762713000@ciompi.org
SUMMARY:Cultural Crossroads: Dvořák in America
DESCRIPTION:Crossroads heads to Jacksonville Beach. This live concert experience explores the Black and Indigenous influences on Dvořák during his time in America. The program weaves original Native American melodies and moving African American Spirituals along with Dvořák’s most beloved chamber music. Short videos and imagery add to this powerful multimedia experience. Cultural Crossroads: Dvořák in America with its stellar and diverse cast of musicians is a catalyst for audience engagement as it entertains\, educates\, and inspires – drawn from the curiosity of a Czech composer a century ago. \nThe Program\nAntonín Dvořák (1841-1904): Finale from String Quartet No. 12\nR. Carlos Nakai (1946-): Butterflies Dancing\nTraditional African American Spiritual: Swing Low\, Sweet Chariot\nAntonín Dvořák (1841-1904): Allegro non tanto from String Quintet No. 3\nTraditional African American Spiritual: My Lord\, What a Morning\nR. Carlos Nakai (1946-): Clan of the Mists\nAntonín Dvořák (1841-1904): Allegro vivo—Un poco meno mosso from String Quintet No. 3\nTraditional African American Spirituals: Go Down Moses; By and By\nR. Carlos Nakai (1946-): Honoring Song\nJohn Newton (1725–1807): Amazing Grace\nAntonín Dvořák (1841-1904): Finale. Allegro giusto from String Quintet No. 3\nGoing Home \n \nThe Artists\nR. Carlos Nakai (Navajo-Ute) is the world’s premier performer of the Native American flute. He has appeared as a soloist and educator worldwide\, released more than 40 albums\, and been nominated for several Grammy awards. He also founded the R. Carlos Nakai Quartet. A Navy veteran\, Nakai earned an MA in American Indian Studies from the University of Arizona\, authored The Art of Native American Flute with composer James DeMars\, and has received a multitude of awards and honors for his lifetime achievements. \nWill Clipman began playing drums and piano at age three and has since mastered a pan-global palette of percussion instruments. A seven-time Grammy nominee and winner of several US\, Canadian\, and Indigenous awards\, he has recorded over 70 albums\, and collaborated with many internationally acclaimed artists and ensembles\, most notably through his 30-year association with Native American flutist R. Carlos Nakai. Clipman is a widely published\, prize-winning poet\, as well as an accomplished mask-maker and storyteller. In his 40-year career as an arts educator\, he has given hundreds of presentations\, impacting a range of communities from traditional school settings to hospitals\, prisons\, and parks. \nKenneth Kellogg is a Washington\, DC native and alumnus of the city’s Duke Ellington School of the Performing and Visual Arts. Active in both the US and Europe\, he has worked with the San Francisco Opera\, LA Opera\, Washington National Opera\, Opera de Oviedo\, and Opera de Lausanne\, among others. A sample of his many operatic roles includes the title role in Mozart’s Don Giovanni\, as well as Leporello and Il Commendatore; Mephistopheles in Gounod’s Faust; and Don Alfonso in Mozart’s Cosi fan tutte. Of note\, Tazewell Thompson’s opera Blue was written for him. Kellogg holds degrees from University of Michigan and Ohio University. \nPamela Freund-Striplen served as artistic director and violist of San Francisco’s Gold Coast Chamber Players for 35 years. She has also performed with members of the St. Lawrence\, Alexander\, Escher\, and Verona String Quartets\, New European Strings\, and Amati Ensemble; with the San Diego Symphony\, San Francisco Opera Orchestra\, and San Francisco Symphony; and as principal violist with the San Diego Opera and Western Opera Theater. Motivated by the social impact of her special projects like Cultural Crossroads: Dvořák in America\, she now focuses on presenting these programs to national and international audiences. In this performance\, Freund-Striplen serves as violist\, curator\, and narrator.
URL:https://ciompi.org/performance/cultural-crossroads-dvorak-in-america-2/
LOCATION:St. Paul’s By-The-Sea Episcopal Church\, 465 11th Avenue North\, Jacksonville Beach\, 32250\, United States
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/06/CulturalCrossRoads.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250912T193000
DTEND;TZID=America/New_York:20250912T213000
DTSTAMP:20260514T012935
CREATED:20250610T142706Z
LAST-MODIFIED:20250610T145419Z
UID:5465-1757705400-1757712600@ciompi.org
SUMMARY:Cultural Crossroads: Dvořák in America
DESCRIPTION:This remarkable program makes its way to the Dvořák Concert Hall in Charleston. This is a live concert experience that explores the Black and Indigenous influences on Dvořák during his time in America. The program weaves original Native American melodies and moving African American Spirituals along with Dvořák’s most beloved chamber music. Short videos and imagery add to this powerful multimedia experience. Cultural Crossroads: Dvořák in America with its stellar and diverse cast of musicians is a catalyst for audience engagement as it entertains\, educates\, and inspires – drawn from the curiosity of a Czech composer a century ago. \nThe Program\nAntonín Dvořák (1841-1904): Finale from String Quartet No. 12\nR. Carlos Nakai (1946-): Butterflies Dancing\nTraditional African American Spiritual: Swing Low\, Sweet Chariot\nAntonín Dvořák (1841-1904): Allegro non tanto from String Quintet No. 3\nTraditional African American Spiritual: My Lord\, What a Morning\nR. Carlos Nakai (1946-): Clan of the Mists\nAntonín Dvořák (1841-1904): Allegro vivo—Un poco meno mosso from String Quintet No. 3\nTraditional African American Spirituals: Go Down Moses; By and By\nR. Carlos Nakai (1946-): Honoring Song\nJohn Newton (1725–1807): Amazing Grace\nAntonín Dvořák (1841-1904): Finale. Allegro giusto from String Quintet No. 3\nGoing Home \n \nThe Artists\nR. Carlos Nakai (Navajo-Ute) is the world’s premier performer of the Native American flute. He has appeared as a soloist and educator worldwide\, released more than 40 albums\, and been nominated for several Grammy awards. He also founded the R. Carlos Nakai Quartet. A Navy veteran\, Nakai earned an MA in American Indian Studies from the University of Arizona\, authored The Art of Native American Flute with composer James DeMars\, and has received a multitude of awards and honors for his lifetime achievements. \nWill Clipman began playing drums and piano at age three and has since mastered a pan-global palette of percussion instruments. A seven-time Grammy nominee and winner of several US\, Canadian\, and Indigenous awards\, he has recorded over 70 albums\, and collaborated with many internationally acclaimed artists and ensembles\, most notably through his 30-year association with Native American flutist R. Carlos Nakai. Clipman is a widely published\, prize-winning poet\, as well as an accomplished mask-maker and storyteller. In his 40-year career as an arts educator\, he has given hundreds of presentations\, impacting a range of communities from traditional school settings to hospitals\, prisons\, and parks. \nKenneth Kellogg is a Washington\, DC native and alumnus of the city’s Duke Ellington School of the Performing and Visual Arts. Active in both the US and Europe\, he has worked with the San Francisco Opera\, LA Opera\, Washington National Opera\, Opera de Oviedo\, and Opera de Lausanne\, among others. A sample of his many operatic roles includes the title role in Mozart’s Don Giovanni\, as well as Leporello and Il Commendatore; Mephistopheles in Gounod’s Faust; and Don Alfonso in Mozart’s Cosi fan tutte. Of note\, Tazewell Thompson’s opera Blue was written for him. Kellogg holds degrees from University of Michigan and Ohio University. \nPamela Freund-Striplen served as artistic director and violist of San Francisco’s Gold Coast Chamber Players for 35 years. She has also performed with members of the St. Lawrence\, Alexander\, Escher\, and Verona String Quartets\, New European Strings\, and Amati Ensemble; with the San Diego Symphony\, San Francisco Opera Orchestra\, and San Francisco Symphony; and as principal violist with the San Diego Opera and Western Opera Theater. Motivated by the social impact of her special projects like Cultural Crossroads: Dvořák in America\, she now focuses on presenting these programs to national and international audiences. In this performance\, Freund-Striplen serves as violist\, curator\, and narrator.
URL:https://ciompi.org/performance/cultural-crossroads-dvorak-in-america-9-12-2025/
LOCATION:Dvorak Concert Hall\, 1860 7th Street\, Charleston\, IL\, 61920\, United States
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/06/CulturalCrossRoads.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250318
DTEND;VALUE=DATE:20250319
DTSTAMP:20260514T012935
CREATED:20250214T215733Z
LAST-MODIFIED:20250220T134311Z
UID:5342-1742256000-1742342399@ciompi.org
SUMMARY:Master Classes at Xi'an Conservatory of Music
DESCRIPTION:The Ciompi Quartet holds a masterclass with students of the Xi’an Conservatory of Music in Xi’an.
URL:https://ciompi.org/performance/master-classes-at-xian-conservatory/
LOCATION:Xi’an Conservatory of Music\, 南二环路（西段）\, Xi'An\, Yanta District\, Shaanxi\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/02/xianconservatoryjpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250317T190000
DTEND;TZID=America/New_York:20250317T210000
DTSTAMP:20260514T012935
CREATED:20250214T220301Z
LAST-MODIFIED:20250220T134646Z
UID:5347-1742238000-1742245200@ciompi.org
SUMMARY:Performance at Xi'an Conservatory of Music
DESCRIPTION:The Ciompi Quartet performs at the Xi’an Conservatory of Music in Xi’an. \nThe Program\nFranz Schubert: Quartettsatz in C Minor\, D 703 (1820)\nMaximiliano Amici (b.1998): “Encounters” for a string quartet (2024)\nChen Yi (b. 1953): “At the Kansas City New Year Concert for String Quartet” – III. Blue Dragon Sword Dance (2003)\nLudwig Van Beethoven: String Quartet No. 9 in C Major\, Op. 59 No. 3 (1808)
URL:https://ciompi.org/performance/performance-at-xian-conservatory-of-music/
LOCATION:Xi’an Conservatory of Music\, 南二环路（西段）\, Xi'An\, Yanta District\, Shaanxi\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/02/xianconservatoryjpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250315
DTEND;VALUE=DATE:20250316
DTSTAMP:20260514T012935
CREATED:20250214T213911Z
LAST-MODIFIED:20250220T134243Z
UID:5338-1741996800-1742083199@ciompi.org
SUMMARY:Master Classes at Tianjin Juilliard School
DESCRIPTION:The Ciompi Quartet holds a masterclass with students of the Tianjin Juilliard School Pre-College in Tianjin
URL:https://ciompi.org/performance/master-classes-at-tianjin-juilliard-school/
LOCATION:Tianjin Juilliard School\, 2946 Xinhua Road\, Tianjin\, Binhai New Area\, 300450\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/02/tianjinJuilliard.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250313T180000
DTEND;TZID=America/New_York:20250313T200000
DTSTAMP:20260514T012935
CREATED:20250214T212256Z
LAST-MODIFIED:20250220T134125Z
UID:5333-1741888800-1741896000@ciompi.org
SUMMARY:Duke Kunshan University
DESCRIPTION:The Ciompi Quartet performs a program at Duke Kunshan University as part of their four day residency at Duke Kunshan University. \nThe Program\nFranz Schubert: Quartettsatz in C Minor\, D 703 (1820)\nMaximiliano Amici (b.1998): “Encounters” for a string quartet (2024)\nChen Yi (b. 1953): “At the Kansas City New Year Concert for String Quartet” – III. Blue Dragon Sword Dance (2003)\nLudwig Van Beethoven: String Quartet No. 9 in C Major\, Op. 59 No. 3 (1808)
URL:https://ciompi.org/performance/duke-kunshan-university/
LOCATION:Duke Kunshan University\, No. 8 Duke Avenue\, Kunshan\, Jiangsu Province\, 215316\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/02/DukeKunshan.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250312T190000
DTEND;TZID=America/New_York:20250312T203000
DTSTAMP:20260514T012935
CREATED:20250214T175208Z
LAST-MODIFIED:20250220T134034Z
UID:5329-1741806000-1741811400@ciompi.org
SUMMARY:Suzhou University
DESCRIPTION:The Ciompi Quartet performs a program in Suzhou as part of their four day residency at Duke Kunshan University. \nThe Program\nFranz Schubert: Quartettsatz in C Minor\, D 703 (1820)\nMaximiliano Amici (b.1998): “Encounters” for a string quartet (2024)\nChen Yi (b. 1953): “At the Kansas City New Year Concert for String Quartet” – III. Blue Dragon Sword Dance (2003)\nLudwig Van Beethoven: String Quartet No. 9 in C Major\, Op. 59 No. 3 (1808)
URL:https://ciompi.org/performance/suzhou-university-concert/
LOCATION:Suzhou University\, 50 E Ring Rd\, Gusu District\, Suzhou\, Jiangsu\, 215006\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/jpeg:https://ciompi.org/wp-content/uploads/2025/02/SuzhouUniversity.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250308T183000
DTEND;TZID=America/New_York:20250308T203000
DTSTAMP:20260514T012935
CREATED:20241104T200526Z
LAST-MODIFIED:20250220T133942Z
UID:5279-1741458600-1741465800@ciompi.org
SUMMARY:China Europe International Business School
DESCRIPTION:The Ciompi Quartet performs a program upon there arrival in China. \nThe Program\nFranz Schubert: Quartettsatz in C Minor\, D 703 (1820)\nMaximiliano Amici (b.1998): “Encounters” for a string quartet (2024)\nChen Yi (b. 1953): “At the Kansas City New Year Concert for String Quartet” – III. Blue Dragon Sword Dance (2003)\nLudwig Van Beethoven: String Quartet No. 9 in C Major\, Op. 59 No. 3 (1808)
URL:https://ciompi.org/performance/china-europe-international-business-school/
LOCATION:China Europe International Business School\, 699 Hongfeng Road\, Shanghai\, Pudong\, 201206\, China
CATEGORIES:Touring
ATTACH;FMTTYPE=image/webp:https://ciompi.org/wp-content/uploads/2024/11/ChinaEuropeInternationalBusinessSchoolShanghai.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241124T150000
DTEND;TZID=America/New_York:20241124T163000
DTSTAMP:20260514T012935
CREATED:20240806T192924Z
LAST-MODIFIED:20250610T141420Z
UID:5125-1732460400-1732465800@ciompi.org
SUMMARY:Cultural Crossroads: Dvořák in America
DESCRIPTION:The Ciompi Quartet performs at the National Gallery in Washington\, D.C. in a program that explores how Native American melodies and uplifting African American spirituals influenced the music of beloved Czech composer Antonín Dvořák. With its stellar cast of musicians\, this ensemble entertains\, educates\, and inspires through a program drawn from the curiosity of a Czech composer a century ago. \nThe Program\nAntonín Dvořák (1841-1904): Finale from String Quartet No. 12\nR. Carlos Nakai (1946-): Butterflies Dancing\nTraditional African American Spiritual: Swing Low\, Sweet Chariot\nAntonín Dvořák (1841-1904): Allegro non tanto from String Quintet No. 3\nTraditional African American Spiritual: My Lord\, What a Morning\nR. Carlos Nakai (1946-): Clan of the Mists\nAntonín Dvořák (1841-1904): Allegro vivo—Un poco meno mosso from String Quintet No. 3\nTraditional African American Spirituals: Go Down Moses; By and By\nR. Carlos Nakai (1946-): Honoring Song\nJohn Newton (1725–1807): Amazing Grace\nAntonín Dvořák (1841-1904): Finale. Allegro giusto from String Quintet No. 3\nGoing Home \nThe Artists\nR. Carlos Nakai (Navajo-Ute) is the world’s premier performer of the Native American flute. He has appeared as a soloist and educator worldwide\, released more than 40 albums\, and been nominated for several Grammy awards. He also founded the R. Carlos Nakai Quartet. A Navy veteran\, Nakai earned an MA in American Indian Studies from the University of Arizona\, authored The Art of Native American Flute with composer James DeMars\, and has received a multitude of awards and honors for his lifetime achievements. \nWill Clipman began playing drums and piano at age three and has since mastered a pan-global palette of percussion instruments. A seven-time Grammy nominee and winner of several US\, Canadian\, and Indigenous awards\, he has recorded over 70 albums\, and collaborated with many internationally acclaimed artists and ensembles\, most notably through his 30-year association with Native American flutist R. Carlos Nakai. Clipman is a widely published\, prize-winning poet\, as well as an accomplished mask-maker and storyteller. In his 40-year career as an arts educator\, he has given hundreds of presentations\, impacting a range of communities from traditional school settings to hospitals\, prisons\, and parks. \nKenneth Kellogg is a Washington\, DC native and alumnus of the city’s Duke Ellington School of the Performing and Visual Arts. Active in both the US and Europe\, he has worked with the San Francisco Opera\, LA Opera\, Washington National Opera\, Opera de Oviedo\, and Opera de Lausanne\, among others. A sample of his many operatic roles includes the title role in Mozart’s Don Giovanni\, as well as Leporello and Il Commendatore; Mephistopheles in Gounod’s Faust; and Don Alfonso in Mozart’s Cosi fan tutte. Of note\, Tazewell Thompson’s opera Blue was written for him. Kellogg holds degrees from University of Michigan and Ohio University. \nPamela Freund-Striplen served as artistic director and violist of San Francisco’s Gold Coast Chamber Players for 35 years. She has also performed with members of the St. Lawrence\, Alexander\, Escher\, and Verona String Quartets\, New European Strings\, and Amati Ensemble; with the San Diego Symphony\, San Francisco Opera Orchestra\, and San Francisco Symphony; and as principal violist with the San Diego Opera and Western Opera Theater. Motivated by the social impact of her special projects like Cultural Crossroads: Dvořák in America\, she now focuses on presenting these programs to national and international audiences. In this performance\, Freund-Striplen serves as violist\, curator\, and narrator.
URL:https://ciompi.org/performance/cultural-crossroads-dvorak-in-america/
LOCATION:National Gallery of Art\, Constitution Ave + 6th St\, Washington\, DC\, United States
CATEGORIES:Touring
ATTACH;FMTTYPE=image/gif:https://ciompi.org/wp-content/uploads/2024/08/11-24-2024.gif
END:VEVENT
END:VCALENDAR